Thomas Campion (1567-1620)

Country : Grande-Bretagne
Language : anglais, latin
Gender : masculin
Birth : 12-02-1567
Death : 01-03-1620
Note :
Poète, compositeur, médecin et théoricien de la musique
Variants of the name : Thomas Campian (1567-1620)
Thomas Campianus (1567-1620)
ISNI : ISNI 0000 0001 1025 5478

Activities of Thomas Campion (1567-1620) (329)

Compositeur (231)

Amores pasados
Time stands still
Ancient stone
An Elizabethan songbook
A score for The Lord's masque
Ayres
Ayres
The Emma Kirkby collection
The Emma Kirkby collection
Alfred Deller
Gezangboek van Christian science
[Deux Airs pour voix et luth]. From Two bookes of Ayres, the first contayning divine and morail songs, the second light conceits of lover's, London, 1613
Eight Songs from Rosseter's Book of ayres. [Acc. de piano.]. With a preface by Charles Kennedy Scott
Jack and Joan they think no ill. From the Firste booke of Ayres, London, 1613. Edited by Alonzo Thorogood. [A 3 v. et luth]
Out of my soul's depths to thee. From Two bookes of Ayres, London, 1613. [A 4 v. et luth]
Though your strangeness. From Two bookes of Ayres, the first containing divine and morall songs, the second light conceits of lovers, London, 1613. [A. 3 v. et luth]
Three Ayres to be sung to the lute and viols in three parts, or by one voyce to an instrument. From the Second booke of Ayres, London, 1613
Fourth booke of Ayres. Circa 1617
Thomas Campian. Third booke of Ayres, circa 1617... [Pour chant et luth. Transcription à 1 v. et p. par Edmund Horace Fellowes]
First book of Airs Circa 1613
Second book of Airs. Circa 1613
Songs from Rosseter's Book of Airs. 1601... Part II, nos 11-21
Songs from Rosseter's Book of Airs. 1601...Part I [nos 1-10]
Hymns. The Yattendon hymnal, edited by Robert Bridges and H. Ellis Wooldridge
Author of light
Most sweet and pleasing are thy ways, O God
Never weatherbeaten sail
To music bent
All lookes be pale, harts cold as stone
Are you what you faire lookes expresse
Are you what you faire lookes expresse
Author of light
Author of light
Author of light
Author of light
Author of light
Author of light
Author of light
Awake thou spring of speaking grace
Awake thou spring of speaking grace
Beauty is but a painted hell
Beauty is but a painted hell
Beauty, since you so much desire
Beauty, since you so much desire
Beauty, since you so much desire
Breake now my heart and dye
Break now my heart
Come, cheerful day
Come, cheerful day
Come let us sound
Come let us sound with melody
Come O come my life's delight
Come you pretties false eyd wanton
Come, you pretty false-ey'd wanton
Come, you pretty false-ey'd wanton
Come, you pretty false-eyed wanton
Come, you pretty false-eyed wanton
The cypress curtain
The cypress curtain
The cypress curtain
The cypress curtain of the night
The cypress curtain of the night
The cypress curtain of the night
Daphne was not so chaste as she was changing
The Discription of a maske : 1607
Fain Would I Wed
Fain Would I Wed
Faire, if you expect admiring
Faire, if you expect admiring
Faire, if you expect admiring
Fair, if you expect admiring
Fair, if you expert admiring
Fire, fire
Fire, fire
Fire, fire
Fire, fire ! fire, fire !
Fire, fire, fire, fire
Fire, fire, fire, fire lo here I burn
The first booke of Ayres
Followe thy faire sunne unhappy shaddowe
Follow thy fair sun
Follow your saint
Follow your Saint follow with accents sweet
Harke al you ladies that do sleep
Her rosy cheeks, her eversmiling eyes
Her rosy cheeks, her ever smilling eyes
I care not for these ladies
I care not for these ladies
I care not for these ladies
I care not for these ladies
I care not for these ladies
I care not for these ladies
I care not for these Ladies
I care not for these ladies
I care not for these ladies
I care not for these ladies
I care not for these ladies that must be woo'd and pray'd
If love loves truth
If thou long'st so much to learn
If thou longst so much to learne (sweet boy) what 'tis to love
It fell on a summer's day
It fell on a summers day
It fell on a summer's day
It fell on a summer's day
It fell on a summer's day
It fell on a summer's day
Jack and Joan they think no ill
Jack and Joan they think no ill
Jack and Jone
Jack and Jone
Jacke and Jone they thinke no ill
Kind are her answers
Kinde are her answeres
Kinde are her answers
Kinde are her answers
Lord Hay's masque
Lord Hay's masque
Lords' masque
Love me or not
Love me or not
Love me or not, love her I must or die
Maids are simple, some men said
Maids are simple, some men say
Masque music (I) : Move now (with measured sound)
Most sweet and pleasing are thy ways, O God
Move now with measur'd sound
Move now with measured sound
Move now with measured sound
My love hath vow'd
My love hath vow'd he will forsake me
My sweetest Lesbia
Never love unless you can
Never love unless you can
Never weatherbeaten sail
Never weather-beaten sail
Never weather-beaten sail
Never weather-beaten sail
Never weather-beaten sail
Never weather-beaten sail
Never weather-beaten sail
Never weather-beaten saile
Never weather-beaten saile
Never weather-beaten saile more willing bent to shore
Never weather-beaten sail more willing bent to shore
Now hath Flora robb'd her bow'rs
Now hath Flora robb'd her bow's
Now hath Flora robbed her bowers
Now let her change and spare not
Now winter nights
Now winter nights
Now winter nights enlarge
Oft have I sigh'd for him that hears me not
Oft have I sighed
Oft have I sighed for him that hears me not
Oft have sigh'd for him
Oft have Y sighed
Oft have Y sighed
O grief, O spite
O never to be moved
O never to be moved
O never to be moved
O never to be moved
O sweet delight
The Peaceful western wind
Pin'd I am, and like to die
Pin'd I am, and like to die
The second booke : of Ayres
A secret love
A secret love
See where she flies
See where she flies
Shall I come, sweet love
Shall I come, sweet love, to thee ?
Shall I come sweet love to thee ?
Shall I come, sweet love, to thee?
Shall I come, sweet love, to thee?
Shall I come, sweet love, to thee ?
Shall I come sweet love to thee
Shall I then hope
Silly boy 'tis ful moone yet
Sleep angry beauty
So quicke, so hot, so mad is thy fond sute
So sweet is thy discourse to me
So tired are all my thoughts
So tyr'd are all my thoughts
So tyr'd are all my thoughts
Sweet exclude me not
Sweet exclude me not
There is a garden in her face
There is a garden in her face
There is none, o none but you
Think'st thou to seduce me then
Think'st thou to seduce me then with words that have no meaning ?
Though you are young and I am old
Though your strangenesse frets my hart
Thrice toss
Thrice tosse these oaken ashes
Thrice tosse these oaken ashes in the ayre
Thrice toss these oaken ashes
Thrice toss these oaken ashes in the air
See other documents of Thomas Campion (1567-1620) as compositeur

Auteur du texte (79)

Campion's works
De puluerea coniuratione
Wordsongs
Beauty is but a painted hell.. Words by Thomas Campion. Music by Edmund Rubbra. Op. 51, n° 3. [Choeur à 4 voix et soprano solo]
Edmund Rubbra. Five Madrigals (first set) for unaccompanied choir. (Piano accompaniment for practice only). Op. 51. Words by Thomas Campion...
I care not for these ladies. Words by Thomas Campion. Music by Edmund Rubbra. Op. 51, n° 2. [Choeur à 4 voix]
It fell on a summer's day. Words by Thomas Campion. Music by Edmund Rubbra. Op. 51, n° 4.[Choeur à 4 voix]
Though you are young.. Words by Thomas Campion. Music by Edmund Rubbra. Op. 51, n° 5. [Choeur à 4 voix]
When to her lute Corinna sings.. Words by Thomas Campion. Music by Edmund Rubbra. Op. 51, n° 1. [Choeur à 4 voix]
Eight Songs from Rosseter's Book of ayres. [Acc. de piano.]. With a preface by Charles Kennedy Scott
Songs and masques, with observations in the art of English poesy. Edited by A. H. Bullen
The works of Dr. Thomas Campion
A brief introduction to the skill of musick, in three books. The first : the grounds and rules of musick... The second : instructions for the bass-viol, and also for the treble-violin... by John Playford, ... The third : the art of descant... by Dr. Tho. Campion, with annotations thereon by Mr. C. Simpson
All lookes be pale, harts cold as stone
Blame not my cheeks
Breake now my heart and dye
Bring away this sacred tree
Daphne was not so chaste as she was changing
Do not, o do not prize thy beauty at too high a rate
Faire, if you expect admiring
Fire, fire, fire, fire
Fire ! fire ! Lo here I burn in such desire
Followe thy faire sunne unhappy shaddowe
Follow your saint
Follow your Saint follow with accents sweet
Harke al you ladies that do sleep
I care not for these ladies
I care not for these ladies
If I hope, I pine
If thou longst so much to learne (sweet boy) what 'tis to love
I must complain, yet do enjoy my love
Jacke and Jone they thinke no ill
Kinde are her answeres
Kind in unkindness
Lord Hay's masque
Lord Hay's masque
Lord Hay's masque
The Lord's Masque
Lords' masque
Lords' masque
Love me or not, love her I must or die
Move now with measur'd sound
Never weather-beaten saile more willing bent to shore
Now hath Flora robb'd her bow'rs
Now let her change and spare not
Now winter nights enlarge
Observations in the art of English poesie... 1602
Shall then a traitorous Kiss
Shows and nightly revels, signs of joy and peace
Silly boy 'tis ful moone yet
Songs of mourning
So parted you
So quicke, so hot, so mad is thy fond sute
Squires'masque
Squires'masque
Squires' masque
Squires' masque
Squires'masque
Squires' masque
There is a garden in her face
Think'st thou to seduce me then with words that have no meaning ?
Thou art not fair for all thy red and white
Though your strangeness
Though your strangenesse frets my hart
Thrice tosse these oaken ashes in the ayre
Time stands still with gazing on her
Time, that leads the fatal round
To his sweet lute Apollo sung the motions of the spheares
Triumph now with joy and mirth
Turne backe you wanton flyer
What harvest half so sweet is
What if a day or a month or a year
What is a day, what is a year
When Laura smiles here sight revives both night and day
When thou must home to shades of underground
Whether men do laugh or weep
Woo her and win her, he that can
Yet love not me, nor seek not to allure
Young and simple though I am

Auteur ou responsable intellectuel (16)

Old Hall - Handschrift, Madrigale, Lautenlieder = Old Hall manuscript, madrigals, lute songs = Le Manuscrit d'Old Hall, Madrigaux, chants avec luth
The Ayres that were sung and played at Brougham Castle 1618
La Renaissance anglaise
An Introduction to the skill of musick..., by John Playford, to which is added the Art of descant or composing musick in parts, by Dr Tho Campion, with annotatiois [sic] thereon by Mr Chr. Simpson
TEN SONGS FROM ROSSETER'S BOOK OF AYRES : set forth to be sung to the Lute, Orpherian and Base Viol : My Sweetest Lesbia ; Though you are young ; I care not for these ladies ; Follow thy faire sun ; My love hath vowed ; When to her lute Corinna sings ; Turn back, you wanton flyer ; It fell in a summer's day ; The Cypress curtain of the night ; Follow your saint
ELIZABETHEAN AND JACOBEAN MUSIC
The first verse The man upright of life
The first verse There is a garden in her face
The first verse What if a day, or a month, or a year
Musique Elizabethaine et Jacobeenne
O RAVISHING DELIGHT
The second verse Earth's but a point to the world ; and a man
The second verse He only can behold
The second verse Those cherries fairly do enclose
Shall I come if I swim ? wide are the waves you see
The third verse Her eyes like angels watch them still

Documents about Thomas Campion (1567-1620) (8)

Livres (8)

In harmony framed
Campion, Dowland and the Lutenist songwriters
Words and notes coupled lovingly together
Thomas Campion
Thomas Campion
Thomas Campion
England's musical poet Thomas Campion, by Miles Merwin Kastendieck
The English madrigal composers

See also (10)