Vicki Karaminas

Pays :Australie
Langue :anglais
Sexe :féminin
Note :
Maître de conférences spécialisée en mode et design, University of technology, Sydney, Australie (en 2009). - En poste : College of creative arts, Massey university, Wellington (en 2016)
ISNI :ISNI 0000 0000 8129 5269

Ses activités

Auteur du texte3 documents

  • Fashion's double

    representations of fashion in painting, photography and film

    Description matérielle : 1 vol. (XXII-150 pages)
    Description : Note : Includes bibliographical references (pages 133-138), filmography (page 138) , and index
    Abstract : "Mere clothing is transformed into desirable fashion by the way it is represented in imagery. Fashion's Double examines how meanings are projected onto garments through their representation, whether in painting, photography, cinema or online fashion film, conveying identity and status, eliciting fascination and desire. With in-depth case studies including the film and photography of Nick Knight, Helmut Lang and Terry Richardson, film examples including Pret-a-Porter, music video 'Girl Panic' by Duran Duran and much more, the book analyses the interrelationship between clothing, identity, embodiment and self-representation. Accessibly written for students and scholars, Fashion's Double will appeal to anyone studying fashion, cultural studies, art theory and history, photography, sociology, and film"
    Édition : London : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc , 2016
    Autre auteur du texte : Adam Geczy

    disponible en Haut de Jardin

    [catalogue][https://catalogue.bnf.fr/ark:/12148/cb44489310p]
  • Critical fashion practice

    from Westwood to van Beirendonck

    Description matérielle : xv, 200 pages, 16 unnumbered pages of plates
    Description : Note : Bibliogr. p. 179-187. Notes bibliogr. Index
    Abstract : There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in the form of subcultures or perversions, such as punk or BDSM styling. Today, however, these genres have been absorbed into the fashion industry itself, meaning that "critical fashion" is now far from limited to the subcultures from which it came. This book explores this new space for criticism within the popular fashion sphere to demonstrate how designers are disrupting conventions, challenging beliefs and stirring change from within the system itself. Critical Fashion Practice considers a range of contemporary designers across the globe, from the US to Japan, whose conceptual designs embody this critical language, including case studies such as Rei Kawakubo's deconstructive silhouettes for Comme des Garçons and Walter Van Beirendonck's sadomasochistic menswear collections, amongst other key players such as Miuccia Prada, Vivienne Westwood and Viktor & Rolf. Arguing that the rise of critical fashion coincides with a noticeable decline in the criticality of art, Geczy and Karaminas go beyond slotting fashion into previously established art theories. Conceiving a new cultural role for fashion that affords insight into identity, class, race, sexuality and gender, this book shows how fashion can not only reflect and comment on, but can also be a part of social change
    Édition : London ; New York : Bloomsbury academic , 2017
    Autre auteur du texte : Adam Geczy

    [catalogue][https://catalogue.bnf.fr/ark:/12148/cb45220846f]
  • Fashion and masculinities in popular culture

    Description matérielle : viii, 185 p.
    Abstract : Popular culture in the latter half of the twentieth century precipitated a decisive change in style and body image. Postwar film, television, radio shows, pulp fiction and comics placed heroic types firmly within public consciousness. This book concentrates on these heroic male types as they have evolved from the postwar era and their relationship to fashion to the present day. As well as demonstrating the role of male icons in contemporary society, this book's originality also lies in showing the many gender slippages that these icons help to effect or expose. It is by exploring the somewhat inviolate types accorded to contemporary masculinity that we see the very fragility of a stable or rounded male identity
    Édition : New York ; London : Routledge , 2017
    Autre auteur du texte : Adam Geczy

    [catalogue][https://catalogue.bnf.fr/ark:/12148/cb453456669]

Éditeur scientifique2 documents

  • The men's fashion reader

    Description matérielle : 1 vol. (531 p.-[32] p. de pl.)
    Description : Note : Bibliogr. p. 483-514
    Édition : Oxford : Berg , 2009
    Éditeur scientifique : Peter Kevin McNeil

    disponible en Haut de Jardin

    [catalogue][https://catalogue.bnf.fr/ark:/12148/cb414260992]
  • Fashion in fiction

    text and clothing in literature, film, and television

    Description matérielle : xvii, 194 p., [16] p. of plates
    Description : Note : D'après une conférence internationale du même nom tenue en mai 2007 à l'université de technologie de Sydney, Australie
    Includes bibliographical references (167-184) and index
    Édition : Oxford, UK ; New York : Berg , 2009
    Éditeur scientifique : Cathy Cole, Peter Kevin McNeil

    [catalogue][https://catalogue.bnf.fr/ark:/12148/cb43608123s]

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